there is a couple downstairs they don’t specially like each other and nothing matches between them, but they are together everyday and they said things could be worst. they have two large boxes with one hole hiding their faces so they just see what they want to see. they select what is important to look at and stare at it for hours. sometime they may both look at the same thing but they don’t even know it. this is a small part of the soundtrack running in their boxes.

repress alert: continuing to do great service to reissue culture, emotional rescue this time look to the nigh-on insurmountable back catalogue of late manchester-based producer muslimgauze, whose influence can be tangibly heard in the likes of shackleton. suns of arqa were equally enamoured with fusing the haunting qualities of middle eastern music with other styles, in their own case dub, and so their selection to remix a whole host of muslimgauze tracks made perfect sense. now the engrossing and otherworldly jaunt through distant lands enjoys a plush new vinyl release on which to truly enjoy the mixture of soothing and savage sounds.

same track on both sides.

robo arigo is an extraordinary multi-instrumentalist from nigeria’s ogun state. a founding member of pogo ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on sexy thing too. one listen to the record, however, (and a quick look at the back of the cover), and it’s pretty clear that playing bass is where robo’s heart lay. especially when he gets to slap it.

hailing from the ruhr area in germany, the homewreckers have a long history to look back on. numerous projects have involved the three band members johannes ehmann, gregor pottmeier and krischan wesenberg in the past 20 years always meandering between the realms of jazz, blues, soul, house and techno. between the profound bags of djs and the shelves of audiophile heads. their unique sound spans from deep dancefloor oriented electronic music to film soundtracks that, amongst others, underlined the infamous productions of the artist harun farocki. confusion ep is an excerpt of their upcoming album machine kiss that sums up six years of research and work and melts the influence of more than 25 years of knowledge onto one record.

incl digital download code
exactly one year after the release of their second album m eanderlust, randweg r elease their first ep with remixes - by nick höppner, alex.do, luke abbott and in a left place. the double-a-sided anderlus t / requisetales ep appears on funken records to understand how this record is intended, take a closer look at the artwork: no matter how you turn it: a backside does not exist. on their upcoming anderlust / requisetales ep, randweg present rearrangements of tracks from their two former albums. the new versions clearly bear the signature of their producers, but the tracks also reflect the full range of the duo, which has found its very own sound with clarinet, bass and cajon. for the remixes of two tracks from the ir album m eanderlust, randweg attracted nick höppner and alex.do. you can hear the joy both producers had playing with the original material, which was the basis of their versio ns for the anderlust-side. while nick höppner transfers the calmly prancing wokules walzer into a subtle but euphoric house-track, alex.do slows down the tempo in his version of pool, and plunges down deep into a warm downbeat-bath. randweg ’s debut-album equisetales was released in 2013, and it would have been a pity if the two remixes from the early days of the duo remained unheard in their private archives. luke abbott surprises with an abstract-pl ayful version of the track ball a nd in a left place turns y ofa into an atmospheric club-track.

special triple pack for all you eminor lovers out there - contains three classic releases:
- eminor30: john seber, reagen - eminor 30 (benjamin fehr, dubit mixes)
- eminor34: insect elektrika - eminor 34 (wahrlich & carbon remix)
- eminor35: carbon / steven campodonico - back in time / classic coke

jahr für jahr versorgt das label mobilee die techno- und house-gemeinde mit einer weiteren ausgabe der “back to back”-reihe. mittlerweile ist man bei der elften kompilation angekommen. was die zusammenstellung immer so besonders macht: jedes mal übernimmt ein anderer nachwuchs-dj/produzent aus dem berliner labelstall die verantwortung, und 2017 ist anja schneiders protegé kevin over an der reihe.

everything that is the imagination, alternate or otherwise. often thought of as crazy or weird . your west friends would like to welcome you to their new vinyl imprint. a label that hopes to fill your record bags (as well as your hearts) with that dope shit you yearn for. up first are two friends and collaborators medlar & ishmael with four rhythm tracks that heavily utilise the cowbell, amongst other things, to get the juices flowing. perfect for your next shubs. look out for more records straight out of se15 peckham. incubated in rye wax, pressed for you and yours. have a good time, all the time.

local talk welcomes detroit house music legend terrence parker to the family. his release is not only the first of 2017 but also marks the 75th release on local talk. sometimes you just want a producer to deliver what he s best at and with these two tracks that is exactly what we get. opening track gratiot avenue piano is a straight forward piano house track that hits peak hour business in just a couple of minutes. if you like the classic terrence parker sound like we do, then don t look any further. on the flip unconditional embellishes all that s good about a house track, a delightfully soulful house bump together with an infectious organ hook. there s no messing around on this release and terrence never puts a foot wrong throughout these two tracks, both are perfectly conceived from start to finish.

vinyl only. handstamped limited copies. for this edition, reda dare invite their friends and talented producers okain, ortella, john jastszebski and dj steaw. 4-track ep made of subtle, eclectic and smooth sounds. kicking off, the first tune by okain is a perfect crowd warmer, with a proper deep and harmonious vibe, followed by a more upbeat and pumping one by mad in lyon s ortella. the b-side begins with none other than john jastszebski s unmatchable blend of drum patterns and melodious synths. finally, rutilance s dj steaw closes the ep with a musical gem playable in any circumstance. this limited press record is a one of a kind mixture of groovy, bouncy and chilled beats and is definitely to look out for!

repress 2017 , 1 per customer / 1 per kunde
the new collaborative endeavor between mliu regular brawther and tristan da cunha of back to basics fame, dungeon meat live up to the brash nature of >the fuck off track< with heavy hitting percussion driven house at its finest. look out for a label of the same name from dungeon meat later this year. face down ukrainian producer se62 returns for mliu duty for a third time with the hook heavy deep house burn of true force

repress schlepp geist returns on underyourskin with another pearl. deep and hypnotizing grooves are getting remixed from nico stojan (dantze, upon you, bar 25) and greenville massive (initials, soul sheep).

the mysterious nic araguay lands on shall not fade with 5 killer tracks that blend moody synths, ambient soundscapes, gritty rhythm patterns and eerie vocals.

a bit about the artist: wahono, real name harsya wahono is an artist from indonesia. he graduated from berklee school of music studying jazz performance. he had a brief stint in nyc working with the good people at other records before they unfortunately closed shop in 2016. he is now back in indonesia where he runs the label divisi62. this is his first release and we look forward to many more.

perth, capital of western australia, sits where the swan river meets the southwest coast. sandy beaches line its suburbs giving purpose to hot summer days, but after sundown, the city is where its at if you know where to look. its possible that this double-life is what inspired the deep, melodic, futuristic sounds of one of australia s most mysterious electronic dance music labels of the 90s - red ember records.

senso sounds drop a major release from techno heavyweight dubfire and label boss oliver huntemann. reuniting the partnership that has seen a string of seminal releases over the years in the form of their ‘elements’ series, ‘humano’ is the 2nd part of a continuation of this series - more weapons of grade dance-floor material from the high profile duo. later on this year their partnership will be summarized in their ‘restrospectivo’ album. former deep dish man dubfire’s uncanny knowledge of how to create epic dance-floor moments is in full effect, combined with huntemann’s precision tool production techniques on the original version of the title track. the result is a super tough, tight and incalculably driving slice of techno goodness that will ignite floors worldwide. the rest of the ep manages to maintain the pressure - with a set of sick remixes from victor ruiz, hatzler and shaded. ruiz, the brazilian techno pioneer adds another level of fire to the original, tweaking and refining the track into a damager that pushes everything to 11 and hits home with every play. hatzler, the hamburg based german dj/producer chooses a different direction - emphasizing more of the space in the original. rinsing the tension to the next level, look out for the epic middle section break down. the whole package is primed to destroy clubs far and wide - techno at its most effective. shaded’s summer skin remix also delivers a tightly wound interpretation, with a bubbling bass line and nervous, excited groove providing the fuel for an extended dancefloor excursion.

shamrock grew up in the township called ‘kwathema’, in the east of johannesburg. he has being crazy for music since he was a young child, and at primary school he sang as the soloist in the choir. everyone now knows that south africa is the house music capitol of the world! most young upcoming producers look up the american and european producers, but shamrock’s sound is standing out from the rest, as he’s been digging into his african roots to come up with his own style of music, working with mainly south african musicians, only using the computer to record the audio. on this album he’s also featured international musicians han litz,flutist from the netherlands, asali, vocalist from kenya, andy compton, from the uk, and jimmy gabriel on sax from nigeria.

ltd ed clear vinyl 7 inch
by popular demand, we are delighted to present you a super ltd edition reissue of marta ren & the groovelvets mega in-demand 45 -i m not your regular woman- / -be ma fela- this time on a splendid transparent 45 vinyl. originally released in december 2015, marta ren & the groovelvets -i m not your regular woman- 45 went sold out in few weeks and became a regular spin on funk soul dancefloors. if you ve missed the 45 the first around, you better get on it quickly as this it s limited to 150 copies worldwide. on the flip side there s the afro-tastic scorcher -be ma fela-. the 2 tracks are taken from 2016 marta ren & the groovelvets impressive debut album stop look listen. our portughuise soul sister is currently on tour and has just ignites stages of the trans musicale and eurosonic 2017.

we are seemingly headed towards dark and confusing times. the tension inside of the people is rising so instead of putting more gasoline to the fire and fueling the rage i submit to you these sounds of peace. not black music or white music. not borders or class. just music. it’s time to stop labeling music, just as it is time to stop labeling humans as 1st class and 2nd class citizens. if you can ignore my broken voice and if you could only look past my music’s imperfections, you would feel me instead of hearing me and maybe then you could get a small glimpse of the hope that the people feel when they are at my concerts and understand the idea that many great men and women before me like bob marley and john lennon had, that we are all one. the idea that had brought hope and countless others. the hope that makes them scream: peace forever. (charles x)

the legwork camp brings you a new offshoot: the footage series. first up is legwork with an in-house production, lord bath. it’s a trip inside the soul of the machine - 808’s and heartbreaks in a new era, for a smarter and more aware operator. tx connect comes in on the remix duties, with two versions that keep the imagination of the original, but slant towards a darker and less obtuse outcome. finally, finishing out the b-side is the science: a look at the method and how to deviate within it.

brazillian-born daniela caldellas returns to hotflush recordings with misantropicalia, a three track ep, with each one showing different facets of her influences, further enriching her identity as terr. picking up where last aprils burn the past ep left off, terr continues to develop what is becoming her retro-futurist signature. the unmistakable footprint of electro, as well as a palpable nostalgia for the early 80s, is present throughout. the title track perhaps even betrays a whiff of italo or hi-nrg with its moroder-esque bass and silky guitar licks, before moving into pure body-popping, linoleum dancefloor territory on the b-side. outrun is an invitation to do the robot worm best heard on a portable ghetto blaster, while dont look around rounds off the 12inch in galvanizing style with hints of electroclash in fractured, fleeting vocals and beats of the fat variety. misantropicalia shows terr with her influences on her sleeve, and her gaze fixed firmly forwards

after a run of new signings in 2016 - aus music kick of 2017 with something a little bit different. to inaugurate the new year they welcome in catz n dogz for three separate interpretations of classic records from the aus music archives. cherry picked from the vast back catalogue are tracks from bicep, geeeman and george fitzgerald all of which are given a rough, smoke treatment from the pets recordings owners. kicking things off is the remix of geemans wanna go bang he title track from his punchy 12-inch from 2015 that now sees a driving and percussive reworking. bicep the game is next in line a track from the irish duos first solo outing on aus back in 2013. soft, overlapping chords are propelled by snapping drums and multiple melodic lines that build an allaying palette the remix of george fitzgeralds hindsight then caps things off as more frazzled drums propel a stuttering vocal line and a warped synth pattern. continuing to keep things fresh - aus look ahead to another year of new signings and surprises and kick off here with a reminder of the solid foundation that has come before it

axpin debuts with its ep „gilgamesh“, including three deep house tracks and a first floor remix of mastermind christian burkhardt (cocoon, oslo, cbsessions). it smoothly combines multifarious arrangements and arousing melodies with a forward pushing club sound. suitable for the dance floor as well as the afterparty at home, this ep transports the listener to a faraway world of subtle grooves, pushing drums and mesmerizing sound design. „gilgamesh“ is a track based on the story about the journey of an ancient emperor, searching for enlightenment in the highlands of mesopotamia. so it comes as no surprise that a driving beat breaks through the laid back percussions and hypnotizing atmospheres. wandering through this track side by side with mysterious pads and exotic sounds, a lost but defying melody accompanies the listener on his steps. „catiba“ is a track with a multilayered arrangement, that doesn’t necessarily reveal its complexity on the first look. different rhythmic moods provide the structure for two melodic lines, competing at first but working perfectly together after a thrilling break, melting your soul. they’re supported by a pervading deep bass groove that will make your body vibrate.&#8232,,christian burkhardt summarizes both tracks’ features and unifies them in an impulsive club remix that floats every second and climaxes in a thrilling break. dry but playful, perfectly fitting for the dance floor without losing the warmth and lightness of the original. „kryon“ is the ep’s third and most expressive track. starting with lost parts of a melody, rather an echo in the vast distance, the track continuously increases its tension, extending the rhythms until the arrangement blasts out a stunning break that, contrary to all expectations, is a calm and compassionate moment with a transient theme. the clear production provides a place in the mix to each sound, a deep moog bass rumbles in the basement while the stimulating percussion coats

this is a label that i have been meaning to start for years. however, with a possible twist of fate, it is the right time and the perfect body of music to be able to commit to vinyl. these are records that i am honoured to own and play out. a new label from bristol based artist, thrilogy (also known as lee pattison who previously recorded as deepgroove (rekids, cocoon, klang elektronik, junior boys own). expect -organic dusty sampling deep house and techno from bristol artists and friends further afield- and hand-drawn artwork by local artist anna higgie. thrilogy has previously recorded on wolf music, futureboogie and om records and look forward to an ep on omena with an exciting man power remix. also, ishmael finishes the year on a high, his debut album sometime in space (on church records) showcased the multi-instrumentalist s jazzy house cuts alongside peak time techno and chilling ambient pieces. since then ishmael has been touring his live show, as well as releasing some of the most inventive house music to come out of the uk.

look up at the night sky and make a wish…
it appears fleetingly

the electronic based pop group, shari vari, founded by helena ratka and sophia kennedy, is about to release its first ep, life should be a holiday, of 5 pieces produced and recorded by the duo under broke and alcoholic circumstances. each piece deals with the traditional forms of song writing by ignoring them – the rules and structures. combining psychedelic lyrics and chords with dark electronic sounds, the beats are weird and stubborn: a teenage crush on a white cat while drowning in a pool. you’ll never want to go to work again: too many psychos in one streetcar are just too hard to handle on an empty stomach. look forward to plunge into the world of shari vari, so hit the booze and run! (to the concert)

zum jahresende und rechtzeitig zum fest gibt es das nächste highlight für die italo disco gemeinde: 10 original italo disco vinyl-scheiben in einer box plus mousepad im vinyl-look.

waxwork records presents the original motion picture score to the howling composed by pino donaggio (carrie, dont look now, tourist trap), waxworks new, deluxe vinyl release of the howling has been expanded, re-mastered for vinyl, pressed to 180 gram colored vinyl, and features full package artwork by francesco francavilla.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

an in-depth look at the 1970s catalogue of the uruguayan label macondo and the roots of subtropical music: bomba, cumbia, guaracha, merengue, porro, plena featuring 21 tracks by essential names such as sonora borinquen, conjunto casino, combo camagüey, sonora cienfuegos, grupo maracaibo, grupo antillano. set up in the port area of montevideo, macondo discos was founded by the chilean entrepreneur luis onel and named after the town from garcía márquez’s fictional universe. in its early days the label produced a catalogue comprising folk, tango, murga and rock. 1975 onwards, after the release of the lps tropical caliente by cienfuegos and exclusivo! by borinquen, marks the golden age of tropical music in our country according to carlos goberna, founder of sonora borinquen. macondo became a veritable tropical music factory in uruguay, amassing together with guacamayo (a sublabel dedicated to new artists) nearly 200 records in its ten years of existence.

after a longer than usual break gamm enterprises is back on black plastic but more important... we got a brand new design! for those who don t know gamm has been delivering dance music of the blacker kind for almost 15 years but always with the same look. basically, a visual facelift was long overdue. but we think you ll feel it as much as we do and it really works beautifully with our musical ideology. so, for the (new) premier release we got an incognito producer that is rumoured to come from a small town in mexico. having finally agreed for a brief skype call he appeared wearing none other than a bright luchador mask and giving one-word answers with a strong mexican accent. no matter how convincing that was we still can t help thinking his name sounds pretty close to another producer that is to put it mildly, pretty hyped at the moment. musically the ep is ranging from percussive carnival disco (carnival in manchester) to brazilian fusion grooves (jazz in italics) and independent disco/funk (dues paid fast). either way you ll definitely find something that will work your party. gamm is back and back with musical vengeance!

dürerstuben are back at them ivory keys to prove once again their broadly spread outcome of funk and groove. being responsible for mothership luise s first release and hence smoothing the way for a whole lot of pleasent memories we can look back to by now, it s that kind of re-(re!)-animation which puts our hearts to pleaseant warmths. saddle your moped, pull up your levi s and straighten your backs: trays n hits is the right compagnion for long lasting late-night drives, self proclaimed city slackers and mother earth s first outcome of country music you are bound to be proud of listening to. spin it, johnny!

the super deluxe collectors edition comes with 3 x 180 gsm luxury tri-coloured vinyl (red, orange, white), 3 x cd (2 dj mixes, 1 unmixed ‘the future’), and a 112 page 12” square twenty hardback photo book of the iconic global underground album photography shot by dean belcher, all packaged in a hardbound slipcase.
the 3 x cd global underground twenty album features 50 tracks including 15 album exclusives across 2 x mixed cds which look back at the finest moments in gu’s history with a collection of new and exclusive remixes of gu classics from gabriel ananda, petar dundov, redanka and more, and also a bonus unmixed cd entitled ‘the future’, featuring 10 exclusive tracks from some of world’s best new producers such as denney, dale middleton and just her.

new years deal - , fresh from guesting on the debut powell lp sport (xl recordings), and having released on labels such as the tapeworm, entracte, and halcyon veil, dale cornish now presents clap - four rhythmic experiments that explore the mesmeric tones of the digital clap using the ever-popular tr909 clap pre-set. sharing similarities in intention with n.m.os as strict as possible approach, pieces subtly evolve and mutate around the clap to generate motion, tension and action. oolovka takes an unashamedly joyous look at the clap, where melodic repetition whirls and whirls until it takes on a form of mesmerising minimalism – perhaps taking its cues from a modern take on steve reichs ‘music for 18 musicians’ as a backdrop for the clap to playfully roll over and mutate into a sound which is both refreshingly light hearted yet steeped in rhythmic experimentation. cxema takes us a into a tenser, more claustrophobic space where a heads down pulse keeps the body locked until the fog is occasionally broken and the tension momentarily cleared via delayed claps and familiar sonar tones. this vibe continues into isolate with cornish upping the anxiety by using the clap as a foreboding menace. coming across like an inspired soundtrack to a military performance piece the concern appears to revolve around strict precision and strict movement and how the clap can be used to enforce and heighten this functional display. before encore winds things down by stripping things back to the bare minimum for movement – a single effected clap gradually layers and layers itself to create pleasingly odd high tension atmospherics solely through a meticulous process of delicate rhythm and repetition.

falling ethics returns with the 9th installment in their string of steady techno releases. this time around psi-dom is on duties with a 4-track ep that consists out of tracks with all latin titles. like suspected fex009 is again showcasing the more experimental and wild side of electronic music. special textures, adventurous arps and firmly produced drums make a coherent slice of vinyl that will speak to the imagination of those willing to look further that your standard club situations.

nice price deal !!! on side a first we have the title track moonman - a heavy grooving soundship that rolls towards a wonderful arranged climax. round loops is a mental housetrack with nice oriental sounds. looks like bachner knows the secret of detroit music. the b side was made for the dancefloor. full of pressure and sportiness look for a spaceman is a stomper which tips over in a deep hole after the second break, played by len faki, andrew grant,...top de:bug review. mail out to over 200 opinion leaders (press, record stores, key djs).

born in memphis, tennessee, carla thomas is an american singer, who is often referred to as the queen of memphis soul. the debut album “gee whiz” went to the top of the national popularity charts and brought carla many bids for tv, radio and personal appearances, including the dick clark -american bandstand- show. next to “ghee whiz, look at his eyes”, this lp also includes “a love of my own”, “it ain’t me” and “for you”. pressing on audiophile 180 gram vinyl.

now, if there was ever a record title that could make you look twice its gotta be this seminal slab of jacking chicago mayhem from maurice joshua & hot hands hula. released in the golden year of 1988 on the legendary trax label which was already in full flight and on a major roll at the time. it could have been easy to overlook i gotta big dick because of its (mildly) humorous, tongue in cheek title, but don t be fooled, this is one sleek, charged acid weapon, an early blueprint for the incoming ghetto house scene out of the chi perhaps? if you re somewhat prudish or easily offended by the lyrical content the guys were kind enough to include an instrumental version that jacks in all the right places! also included on this ep is the stone cold classic this is acid which was co-produced by lidell townsell that became an acid house anthem all the way from illinois to ilford. a true school chicago jam indeed! finishing out the ep is the almost apocalyptic acid of -feel the mood- that features a rap from kool rock steady, the combination of twisting 303 s, church-like organs and synths and kool s razor sharp rhymes make for a pretty heavy concoction, use this one wisely damage will occur on the dance-floor! remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

originally from brighton, kutmah made his name while living in the us, releasing some acclaimed mix tapes and building up connections with the brainfeeder & low end theory crews. in 2010 he was deported to the uk, lived in london for 5 years and now resides in berlin (while still holding down a show on the east london-based radio station nts). in summer 2015, prolific leftfield beatmaker kutmah released the 20-track instrumental beat album blk/smr on bandcamp. during march 2016 he selected & sequenced his favorite nine tracks for a forthcoming limited-edition 10 inch vinyl version of blk/ smr on hit+run.

originally released as a soundtrack in 1974, and long out of print, cinewaxs reissue is remastered from the original tapes and is presented as an exact reproduction of the original album artwork featuring jim pearsalls classic film art. sometimes, it doesnt take very long to create something brilliant. when producer robert evans rejected phillip lambro’s original score for chinatown, jerry goldsmith was hired to create another, from scratch, in just 10 days.

a stellar house jazz funkd journey into the mind of none other than boo williams of sju muzic. boo taps into a cerebral action chase scene of the mind with additional percussion from glenn underground, who also provides another interpretation on the flip! the debut release on the new strictly jazz unit extensions imprint, run by boo williams himself! look out for lots of great releases on this new label.

look up at the night sky and make a wish… it appears fleetingly.
vinyl only

the double portrait ep is tobs and lems story of rituals of descent. don t look in the mirrors left and right of you. still, you need yourself. flip the coin from time to time, be tender and never stop. somebody deserves it.

next up to close out a hefty year of dj-kicks releases is one daniel avery, bringing with him two exclusive new tracks and a host of techno heavy goods. the double vinyl release includes the mix-cd.

12inch with deluxe clear pvc vinyl sleeve in neon print tracklist: a. preissenkung b1. preisreduzierung b2. im karton gespart short info: look out for the b2, a slab of weighty illektro on a rolling bass / sons of slough tip. other tunes are misshapen hybrids, file under dubstechno.

silencio, a new label out of chicago, will debut its first release from new young talent cirq’on titled the other side ep. on the a-side, “screaming around”, makes its presence felt with a beefy bass line that periodically stacks and stutters throughout its progression. this track is impossible to resist. even the most hardened scenester, the type of person who never dances in an effort to look cool, will be forced to cut a rug as they acquiesce to the bombardment of this pleasing beat. peppered throughout with spooky vocals, tempestuous tones and mysterious snippets, it leads you down a path of rhythms that pushes past the point of no return. similar to the first transmissions intentionally broadcast out into our universe for the purpose of contacting intelligent life, “the messenger” delivers on the b-side with layers of haunting harmonies that unfold over simple, satisfying drums. it’s steadily driven by scintillating sounds in the form earthbased radio signals that rise and fall, as if bouncing off of orbiting space debris on their journey to the great unknown. this track is best described as a mind-exp.

its the music of the space that extends between oceans and mountain slopes. its the music of the space that is much bigger and much more adventurous than the four walls of a club look like. its the latest record on acker, and it orbits around a song from il civetto. the band from berlin is a wonderfully multicultural bunch. their sound is reminiscent of gypsy, folk or swing, but at the same time it doesnt really fit any of these labels. liberté ana is a perfect example. monolink turns this track into a groovy downbeat tune that vibrates much higher than its low bpm count - the perfect soundtrack for laid-back afternoons or afterhours. pophop does what he does best: party. however, between the catchy bassline and the tight percussions of his remix theres still a lot of space for the soul of liberté ana. umami goes even further and creates an ecstatic banger that has everything it takes to be played during the prime time on the dance floor.